THE ARTIST AND HER FISH

In these beating hot days, I remember the lovely cool grey quiet of
Southwell Minster when this poem, one of several written for paintings
done by a friend, all went on exhibition at the Minster. Thinking,
now, of those stone floors and cold walls and the sense of hundreds
of years of people and words and music forever caught in that
building replaces heat with cool loveliness.

      

  THE ARTIST AND HER FISH

Fling the wide river of life right
around the world.
Fling it round.
Fill it with coral and weed,
Whales and whelks and beautiful fish,
Fill it with mollusc and minnows and those
pearly pink shells
You can hear the sound of the sea in.
Spill it onto the land.
Spill it over,
Swooning and singing with the voices of angels,
Or the roar of a giant,
Or the steady murmuring lisp of a baby falling asleep.
Fill it full.
Be bountiful.
Crab.  Lobster.  Cockles.  Flat fish.
Round fish.  Jelly fish.  Fish with square noses.
Sword fish.  Dog fish.  Cod fish
And my beautiful yellow fish.
Let them swim
In the wide river of life flung
around the world.                

                                                 © GWEN GRANT.       

  AUGUST

 August,
The time of sunshine
And curly roses.
Of colour and the sea
Rushing along wet sand.

Summer days,
Slowly unfolding
Never-ending moments
Of dazed love,
Of unexpected joy.

Until the first shadows
Touch us,
And we are all lost
In the beauty of a quiet evening.

Wanting only to live
And live again
The glory of these sunny days

And their endless
Summer promises.

            ©2026 GWEN GRANT

THE SCHOOL I WAS SENT TO

Impossible as it seems now, when I was a child and  very poorly, I was sent to
an Open Air School 300 and more miles from where I lived. 
All the little girls, including me, slept in Wards with windows wide open every
night and had a routine which was totally, utterly foreign to me.  I was a Northerner
in the  midst of Southerners and absolutely everything was different.
You were discouraged from crying and it still physically hurts when I cry now.
However, because of that school, I’m here to tell the tale!  I wrote a book about that
year there, KNOCK AND WAIT, which is the second book in my trilogy
PRIVATE-KEEP OUT, KNOCK AND WAIT and ONE WAY ONLY, the book I wrote when
I got back home.   PRIVATE- KEEP OUT is available on PENGUIN Children’s Classics.

  THE SCHOOL I WAS SENT TO

The first time I saw the school I had been sent to,
I thought it was a school for witches,
For the great house leaning against the forest
Was dark as night.
With only its snaggle toothed windows blazing in the moonlight.

Of course, it wasn’t a school for witches.
They only visited.
Swooping in through the open tops of windows
On their broomsticks,
Trying to make out they were the shadows of trees.
Bumping to a stop in the middle of the dormitory,
Where nothing could move them.

Nothing, that is, until Sister Sweet came crackling in,
All fiery with starch and bad temper.
Her purple hands so big, entire cities were built on her palms.
She made them shift.
The only thing I ever had Sister Sweet to thank for,
In the whole year I spent at that school I was sent to.

                                                                     ©  2018 GWEN GRANT

JAPANESE MAPLE

Last night, in the middle of the push of heat,
I found myself thinking about the Japanese Maple
we bought years and years ago to plant in our then
garden. I could almost feel that frost settling on
this lovely tree. Then, in the Spring, it came into
glorious red and gold and green life. This tree carried
its own gifts with it which last for ever in the thankful
mind.

JAPANESE MAPLE

Japanese Maple,
A long way
From your own country,
Facing the cold blue night,
Snow dusting
Your lovely shoulders.
The Autumn sun
Long since forgotten.

©2022 GWEN GRANT

            THE OLD GIRL LOOKS BACK

            THE OLD GIRL LOOKS BACK

The old girl said she has always maintained
That it isn’t only the immediate pain
Of failed relationships and even gently worse dramas,
It was the acquired pain of never seeming to do anything right,
That had a terrible, wearying energy
To trouble and torment, to hurt and to bite.

So that even when she was at home, door closed and locked behind her,
That old fraud, Failure, sneaked in through the letterbox.
Not sneakily enough, though, for she could always hear that metal mouth clicking,
Mimicking the arrival of an excellent invitation,
Even whilst spitting one more disaster into the pockets of her mind
Where she found it did what it was meant to do,
Snipping chunks off her, only leaving an arm and leg behind,
Plus its own spiteful mouth that fed on her disasters and fiascos.

She had plenty of experience, claiming as a serious work attempt,
Her lists and paintings, her songs and riffs of guitar
As a legitimate and generous employment.

The old girl frowned as she surveyed the wreckage behind her,
And the very uncertain structure of the future in front of her.
Aware that some prosperous bodies (they know who they are),
Would claim her entire existence a train crash of gargantuan proportions,
Whilst others, (she knows who they are), would maintain any created creations
Tumbles such so-called disasters to Lilliputian dimensions.

‘Well,’ the old girl scowled, irritably surveying it all,
Glaring at her life story, hating every word printed in Bold,
Or in the margins palely loitering.

Well,’ she said again, then recklessly seized by a fit of giggles,
Tore the wretched thing up.  At the last minute pulling from her pocket
A wisp of yellow chiffon, which, scented with a really weird incense,
Blew the whole kit-and-caboodle out of existence.  Good riddance.

                                                     © 2020 GWEN GRANT