Author: gwengrant

Growing older and having survived cancer at 40, a long time ago, certainly focuses the mind on the future and I was very aware of this when I wrote the poem FUTURE TENSE. I've always loved writing and still remember the excitement of the first longer piece of work I did. It was very experimental and I was certain it wouldn't get published. It probably wouldn't have but one of the small magazines, who did such great work for new writers, took that piece and many others. But that wasn't all they did. With infinite kindness, they often pointed out where I could improve my writing. My first book was a picture book, MATTHEW AND HIS MAGIC KITE, but after that, I started wanting to capture the humour and interest of where I lived, so PRIVATE-KEEP OUT came next followed by KNOCK AND WAIT and ONE WAY ONLY. They're not biographies because all I wanted to do was to catch the spirit of those times. It would be good if everyone wrote an account of their lives so their times are not lost. So many valuable histories unwritten and unread. When I was a girl, I loved the American writer, BETTY MACDONALD, with her very funny accounts of her family and her life in the 1940's. But NORMAN MAILER's, 'THE NAKED AND THE DEAD' spun me up to the stars when I stumbled across it in the subscription library I belonged to at fifteen. ERNEST HEMINGWAY's 'CHRISTMAS IN PARIS 1923', was so sublime and beautiful it was like a torch for writers and the Toronto Star Weekly must have published it with joy in their hearts. I wonder if there still is a Toronto Star Weekly?

LITTLE BROWN HENS AND RED

 Where we lived when I was a girl, most of the gardens
around us were like my Dad’s. Full of vegetables, fruit,
flowers and hens. They were beautiful gardens and I
remember our garden with great fondness. 

  LITTLE BROWN HENS AND RED

My father’s garden was full of little brown hens
High stepping, tippy tapping in and out of the daffodils,
Pecking at the Spring mint, settling in the potato patch,
Always protesting, always complaining.
Not enough of this.  Too little of that.
The wicked tortoiseshell cat pinning them down
With eyes greener than the very grass they trod on.

They would crowd around the kitchen door,
Indignant little bodies demanding hen justice.
But they liked their bit of my father’s garden
With worms trying to live quietly beneath them.

Until my cousin came with his hard hands,
Hungry eyes and a heart intent on killing,
Then I went out shouting,
Scattering the little brown hens and the red,
Causing the dark cockerel
To turn his bitter, livid eye on my hateful presence.

Squawking, they fled, hiding under the hen coop.
Darting into the rhubarb leaves at the back of the tree.
But when my cousin kept coming, when his boots broke
The sunny daffodils, I pushed him so hard, he fell over,
I didn’t care about him.

For my little red hens and brown,
The arrogant cockerel with his angry eyes
All lived to tuck themselves up again
And sleep their tiny pulsing sleep.

To wake in the morning,
Ready for another really interesting day. 

                                          ©2020 Gwen Grant                        

PEA PODS AND PROMISES

PEA PODS AND PROMISES

Pea pods and pea straws
And fields of green oceans
As far as the eye can see,
And busy little children
Building pea-straw houses
Or getting lost in the green fields
As their mothers pull peas.

They were all told
To keep away from the small river
Where the Kingfisher flew,
Enchanting those who saw
The blue blur, blue on blue.
Tempting one child or another
To slide into the water.

Languorous now, the afternoon wears on,
The sun emptying those green oceans,
The red tractor silent
As little children are found and woken.
Bags weighed,
Coins counted one by one
Into green-dirty hands,
Ready for the waiting corner-shop man.

Time to climb onto the lorry.
Time to go home.

Everything will have changed
In the year that is yet to come,
But the fields will still be full
Of quiet green oceans bringing hope
Of a new harvest.

                                   © 2020 Gwen Grant  

THE CORNFIELDS AT PRAYER

From my bedroom window, I can see stretches of corn fields and walking on the paths alongside these fields, I can always hear the corn fields whispering.  These whispers sound so private and yet because the sound fills the air, they also seem meant for everyone who is there to listen.

That particular night, which was cool and quiet, leaning on the windowsill, with the yellow moon picking up the gold of the corn, took me back to when I was a girl, helping with the harvest, remembering how those thin golden spears prickled when they came into contact with skin. There was an enchantment there then and it’s still there now.

As I stood there, I thought of cornfields and other fields of grain growing all over the world and it seemed to me that these fields with their precious harvests were as involved with the world as we are.  If that was the case, then, for the first time, I knew that the corn was whispering its love and hope and concern for the world, exactly as we do ourselves.

      THE CORNFIELDS AT PRAYER

So the long cool night begins
And through the quiet darkness
I thought I heard the corn stalks talk
Of all the whispered night-time prayers
Drifting over the fields,
Setting the corn to its own prayer whispering.

Then I heard the corn stalks talk
Of all the little living prayers.
The lovely hares leaping
And the small creatures seeking
The bread of life in the earth beneath them,
And quiet lovers walking the poppied grasses,
Breathing promises and prayers
Into the listening darkness.

I know I heard the corn stalks talk
Of the old traditions of hay-making and stooking,
Of sowing and reaping,
Of the laughter of bare armed innocents driven 
to distraction
By those thin shining spears prickling and stippling,
Until they almost longed to leave
The praying cornfields whispering.

I expect, though, that the corn stalks talk
Of different things
On the bleak plains of grief, for instance,
Or on the long shades of despair,
Taking for their own the bone bare prayer
Of the suffering heart bleeding into the suffering air.
All is loss and lamentation,
Until they sing of a strong and eternal love
That is forever sowing and forever reaping
Love at the beginning and love at the ending.
So the prayers of the world are heard
In the whispering cornfields prayer.

© 2018 Gwen Grant

BUT THERE’S HOPE…….

 

BUT THERE’S HOPE…….

We thought that we were stronger far
Than Old Man Time.
That hand-in-hand we could out-dance
The Lady of the Hours.
That every moment was forever
At our beck and call,
And we would be always young and lovely
As the Spring-time flowers.

We half understood when this one
Turned their face unto the wall,
When that one couldn’t get
A second breath.
But we were slow to understand
That Time is iron,
In its iron will to bring about
Our iron deaths.

Yet when all is said and done and told,
We ever understood that love turned
Iron into gold.


                               © 2017 Gwen Grant