Lincoln Cathedral was D.H. Lawrence’s favourite
cathedral. Mine, too. Even standing in the doorway and
looking down the long grey reaches into the Cathedral
proper, you know instantly that this glorious building,
this hymn of praise to Love, is going to capture your |
heart, not just for now but for ever. Not so easy to get
to anymore but closing the eyes will do it.

          LINCOLN ROSES

That day in Lincoln Cathedral,
The scent of roses in the air so strong,
I thought there must be some pretty dame
With high heels and posh perfume around.
But there was no-one,
Only me and Love and the great circular window
Full of coloured glass, glinting down at us. 

It was all so stern, so forbidding,
So unbending with the grey stone,
The slabs of walls and hard stone benches,
The weary pavements where thousand year old
Shadows of monks still lapped
Remorselessly up and down. 

This house is grey, great slabs of greyness,
With great roofs pressing down
Even as they soared into emptiness,
Undercutting the power structure of witless men
Determined to impress Love,
Maybe, with a small nudge to eternity,
Secure a place on that heavenly panel. 

Here some warning hand has put an Imp,
But no number of Imps or poker-faced priests,
Or high-hatted, rich robed fleshy monuments to the past
Can distract us from the petal of a fallen flower
Lying scarlet on the stone cold floor,
Pulsing with a life far beyond us.  

Love steadies the candle flames
Of small lanterns shining through the hazy darkness
Of a great Cathedral.
Illuminating that which cannot be seen,
Giving glory to that which cannot be touched,
The unspoken harmony of prayer
Enfolding us and Love. 

                                               © 2019/2025 GWEN GRANT

If you would like to use my poem, please get in touch.

     A NIGHT AT THE PUB

Mario Lanza began to sing
And from a far corner of the crowded room,
Another Mario joined in.
Another and another,
Until the whole place rang
With song and laughter.

Then, in his far corner, Elvis stood,
Quietly singing of love and loss,
Singing of a real reality
Until, one by one, they all fell silent.
Even the drunks hushed their slurred words,
Listening to a song of loss and loneliness
So intense, life meant nothing.

The Bar was silent, breathless with memory
As Elvis sang, and when he was done,
Mario began again.
And beer was passed from Bar to drinker.
Someone ordered a cheeky Campari,
With bright red cherry and a paper umbrella.
Whoa!  Hold the soda.

Night pressed against the Pub’s lit windows,
But no-one wanted to go,
To be swallowed by the darkness,
Wanted only to stay here in the mad brightness,
Listening to the singing,
Listening to the daft loons laughter,
Gulping Lager in the corner
And watch the girls swinging
On the tiny, tiny dance floor.
Dancing as if dancing could conquer
The songs they were hearing.
As if being young could conquer everything.

Strange to meet Mario and Elvis here,
Two bony young fellows singing to the drunk and to the sober,
Singing to drown or lighten the drinker’s sorrows.               

                                                     © 2019 Gwen Grant

 I went dancing a lot when I was young and as it was the time of Rock and Roll, that was part of the dancing I did, as well as the waltz, the tango and other favourites that had you up and on the floor from the first chord of music.  As a younger child, I was taught tap dancing and ballet and wanted nothing more but to dance.  I have such brilliant memories of those days and did tap dancing for years.  Whilst I still rock and roll, however, it’s in a very polite and sedate manner with a nod here and a twirl there whilst I’d absolutely much rather be whirling and swinging!

     WALLFLOWER ROCK AND ROLL

Buying roses and chrysanthemums
From the woman in the market,
I ask if there are wallflowers,
This morning up for sale.
Wallflowers! says she.  Why, there are bunches
In a box lying just around the corner,
Small and compact plants, to make a garden sing.
But there are no long and leggy gilly-flowers
With their scented velvet petals,
In reds and yellows, oranges, and crimsons dark as blood,
For no-one wants this lady.  No-one wants to take her.
She has to flower and blossom in the shadows on her own.

We were standing down along
From the old and ravaged dance hall
That used to be our golden home in all those years gone by
When quick as a curve in time,
The dance hall years sprang out at me.
With throb of drum and splintered icy glitter of guitar,
A fevered trumpet singing silk; the sax’s cool desires,
Then harsh and sweet the singer sang,
And so the dance raged on and on.
Rock!  Rock!  Rock!
Until the street began to swing,
With fast ecstatic dancers in fast ecstatic dance.

No wallflowers in that dance hall, no little flower alone,
For short and compact, long and leggy,
They’re out there dancing on their own.
Rolling with the rest of them, rocking with the best of them,
The swirling, whirling girls with their flaring, sexy petticoats,
On their moving, grooving heels so high; stiletto thin,
They can balance on a silver coin,
Rocking angels dancing on the head of any pin.
Hot rock with grace, with love and passion,
For though they think they own the dance,
They know the dance owns them.

No wallflower lad stands all alone
As Princely in his thick soled,
Suede, and mighty brothel creepers,
Cool and smooth in bootlace tie and Lamming gown,
With Tony Curtis curl of hair slickly curling down.
Young lions they stand, fierce, on the prowl.
Aloof and fabulous in their time,
Until the music bolds their blood,
Guitar and trumpet, sax and drum,
When flesh and skin and bone give in,
To make the dance hall sway and swing
To flirty, dirty, rock and roll.
ROCK ON! 
                             ©2017 Gwen Grant