ABOUT BOOKS No.3

northern musetartan burns

ROBERT BURNS POETRY

THE NORTHERN MUSE (An anthology of Scots vernacular Poetry)

I’ve had a very small red tartan covered book of Robert Burns poems for years and years, from the days when I was a very impressionable girl in love with poetry. Again, it is a bit battered because it’s been handled and read so much. It is one of my most loved books but now I come to find it today, it’s nowhere to be seen. It had one of my favourite poems in it, ‘My love is like a red red rose,’ but having said that, when I look it up in The Northern Muse, (which is edited by John Buchan who wrote The Thirty Nine Steps) I find the real poem begins, ‘O, My luve is like a red, red rose,’ which makes it somehow more heart-breakingly lovely.

Burns was born in 1759 and died in 1796. His father was an unsuccessful tenant farmer in Ayrshire and life was very hard for all the Burns family. I can understand Robert turning to poetry to offset some of the hardness of that life.

Here’s the poem:

O, my luve is like a red, red rose, / That’s newly sprung in June: / O, my luve is like the melodie / That’s sweetly played in tune.

As fair art thou, my bonnie lass, / so deep in luve am I: / And I will luve thee still, my dear, / Till a’ the seas gang dry.

Till a’ the seas gang dry, my dear, / And the rocks melt wi’ the sun: / And I will luve thee still, my dear, / While the sands o’ life shall run.

And fare thee weel, / my only luve, / And fare thee weel a while! / And I will come again, my love, / Tho’ it were ten thousand mile!

My computer doesn’t like the dialect in this poem and is underlining words with wiggly red lines as fast as it can. ‘Weel,’ is as you have guessed, ‘well.’

I remember reading the line ‘And the rocks melt wi’ the sun:’ in such absolute astonishment at this deep and beautiful image, that I felt somehow I had moved from one world to another. It affected me very much. It was like seeing Burns’ soul written on the page.

It still has the same effect now.

ABOUT BOOKS 2.

penguin book

ABOUT BOOKS 2.

On a bitterly cold and snow laden day and looking for something cheerful, I searched my bookshelves for my ancient copy of The Penguin Book of English Verse, which cost 4/6d so many years ago. This book is so old, it’s in pieces. Small children have, at some time or other, drawn rings and very tall stick figures on what is left of the back page. In the middle of the book, I found a drawing of a fire engine and a house. There is only a tattered front cover, the back cover has vanished, so the lovely book above is not the one I have!

But I was looking for two poems. One was Auden’s ‘Lay your sleeping head, my love,’ and the other was Marvell’s ‘To His Coy Mistress.’ These poems have been such good companions for so many years that even when they present themselves on really old and brown edged paper that will tear in an instant without careful handling, they never fail to cheer. It’s the exquisite telling that makes a celebration of life.

Here’s the first verse of Auden’s poem:

Lay your sleeping head, my love, / Human on my faithless arm; /Time and fevers burn away / Individual beauty from / Thoughtful children, and the grave / Proves the child ephemeral: / But in my arms till break of day / Let the living creature lie, / Mortal, guilty, but to me / The entirely beautiful.

And here’s the first few lines of Marvell’s poem:

Had we but world enough, and Time, / This coyness Lady were no crime. / We would sit down, and think which way / To walk and pass our long Loves Day. / Thou by the Indian Ganges side / Should’st Rubies find: I by the Tide / Of Humber would complain…..

Wystan Hugh Auden born 1906 died 1973and the Editor, John Hayward, has this poem written on lst September 1939.

Andrew Marvell born 1621 died 1667.

A SLOW SHINE OF CELANDINE

         A SLOW SHINE OF CELANDINE

It was on a day that held winter tightly to its bones,
When the whole world was frozen over,
That thin sunshine shone through that bony wood,
Lighting the little trembling ferns
Trembling in the bitter wind,
Gilding the sheath of the bony Birch
Until it shone like silver,
A light to glint and gleam in the new-lit darkness,
To remind us that through the dark times,
In older bones and in the bones of fragile children,
Love has always shone and gleamed and glinted.
Always bringing light to a dark world,
Always bringing love to overcome unimaginably dark forces.

In the dead leaves, in the dark moss,
In the narrow twisted roots of bony trees,
In the slow shine of tiny, tiny celandines all golden and tender,
Beaming beneath the darker and darker leaves,
Their golden heads lifting to the sun,
In the small green buds hidden in their papery sheaths,
Their slow explosions seeking eager life.
Into all this, the ringing of the shuttered bluebells
Send their silent, startling promise that love’s new life
Will always shine into the bony darkness,
Will always defeat it with its full and living sweetness.
                                             © Gwen Grant                                         

ABOUT BOOKS No.1

ABOUT BOOKS No.1.

On a freezing winter afternoon, looking over the fields only gives the view of swirls of fog pushing into the garden, over the gate and into the apple tree.    

Last year, I bought Vol.1. of Walter Benjamin’s Selected Writings 1913-1926 and have been reading his essay on ‘A glimpse into the world of Children’s Books’ which is extraordinarily interesting. In the middle of this essay there is an absolutely lovely nursery rhyme from an old German picture book, ‘Steckempferd und Puppe’ (Stick-Horse and Doll) by J.P. Wich.

This rhyme tells of all the things a little child sees in a town and, in particular, how the child sees a cat.  The rhyme ends with the enchanted child thinking what a lovely little place the town is and, ‘I’ll make a note of that.’  There are many such lovely little places and, whenever I find myself in such a town, like the child in the story, I, too, ‘make a note of that.’      

I do wonder who else but Walter Benjamin would introduce an essay on children’s books with this quotation –‘A soft green glow in the evening red.’ by C.E.Heinle, but this is the thing about books and writers.  They bring such joy and delight with them.

DANGEROUS HARBOUR

 

DANGEROUS HARBOUR

As we stand here,
On the edge of the world,
The wet streets peeling away
From the tiny harbour,
The sea, in a fit of spite,
Swirls and tumbles
Onto the stony shingle,
Rattling the shells
From one bony ridge to another,
Hissing its peevish laughter
At the moonbeams dancing uneasily
Down this stretch of wild water.

Until, in a fury of authority,
The moon calls all to order.
Combing the white frilled water
Into its thin silver fingers,
Braiding light into the aching darkness,
Its own face darkening as it considers
The water’s bold and fierce behaviour.

Now look what’s happened!
The moon has turned her back
On the tiny, frozen harbour,
Battered by the shell hung water,
Smashing foam flowers
Onto the old stone causeway,
Onto our icy, hasty shoulders,
As we run helter-skelter for safety
To a deep and far away doorway.

Now the sly and sliding waters
Try to tumble us off our frozen feet,
Try and pull us into the rolling sea
To be another bony shell in the making.

                                   © Gwen Grant